This article briefly surveys recent critical examinations of works about gypsies by the poet john clare (1793-1864. Clare's gypsies and the literary critical tradition my exploration of the way in which the early nineteenth-century poet john clare represents gypsies in his verse began as part of a larger study of the image of the english gypsy in the literature of the romantic period. It is for this reason that this essay is entitled 'clare's gypsies': the gypsies in clare's poems are peculiarly 'his' because they are a blend of the real and the literary, the known and the known about icategories with distinctly permeable boundaries), and clare's poetic imagination operates over this amalgam with a greater or lesser degree of control at various points in his career.
Gipsies - poem by john clare autoplay next video the snow falls deep the forest lies alone the boy goes hasty for his load of brakes, then thinks upon the fire and hurries back the gipsy knocks his hands and tucks them up, and seeks his squalid camp, half hid in snow. Other critics, too, have been drawn to the relationship between clare and the gypsies2 analyses have leant heavily on his prose accounts of his acquaintance, and it is a tendency of such considerations to see the gypsies as representatives of something clare has lost or covets, or suffers (as markers of freedom, liminality or alienation.
John clare 1793–1864 english poet and prose writer see also john clare literary criticism for his vivid and exact descriptions of rural life and scenery, clare is ranked with the foremost. Abstract this article briefly surveys recent critical examinations of works about gypsies by the poet john clare (1793-1864) it goes on to revisit and reassess clare's representations of gypsies in order to argue that they are specifically artistic productions, and to refute the common critical assumption that clare's social position renders his accounts of gypsy life somehow more authentic. Anaylsis of poem gypsies by john clare “i am” is a poem that was written by john clare during the 1840s clare’s rustic poetry had brought him considerable fame and wealth, which enabled him to escape the meagre life he had experienced up until that time.
(john clare by himself 1996: 87) 8 despite the fact that, throughout writing and art from the period, gypsies are portrayed as beggars, in only one of clare's poems, 'we pass the gipseys camp' (middle period v 2003: 352), are gypsies shown to be begging in a similarly problematic way, and it is not unreasonable to conclude [end page 135] that clare's more critical attitude is related to a (perhaps necessary) alteration in gypsy habits, which he in turn connects to the effects of enclosure. Analysis of gypsies by john clare unique for the individual beholder, and yet common themes run deep and have become metaphors more easily attributed and immediately understood than the word ‘love’ itself.
The poetry of john clare shows throughout its development the influence of three forces: the culture of his village and social class, nature, and the topographical and pastoral poetry of the. The article considers some recurrent preoccupations found in clare's gypsy poems, including ideas of story- and fortune-telling, freedom and persecution, the place of clare's gypsies within the natural economy, and their distinctive englishness.
This chapter looks at various gypsy poems by john clare as exemplary of the way in which the social and economic pressures outlined in chapter 1 impact upon literary representations of gypsies, pointing out how clare’s depictions suggest a shift in attitudes towards gypsies across the early decades of the nineteenth century. Gipsies by john clare the snow falls deep the forest lies alone the boy goes hasty for his load of brakes then thinks upon the fire and hurries back the gipsy knocks his page. Clare is a poet of nature's network, not the social network the human populations that teem through his poems - farm-hands, shepherds, gypsies, children – are close to, almost part of, the land clare is a darwinian (darwin was a near-contemporary) to the extent that he sees man as one of the branches of the tree of life.